
He was but a young buck, wet behind the ears and not all that wise. But if Jeffery James Logan--Catholic-born Chicago son, one-time Chuck Berry enthusiast, junior high schooler- knew one thing, he knew that he needed to play the drums. If he knew another thing, it was that he wouldn't get to, no matter how much angsty teen protest or sullen-eyed brooding he put into the cause, because, well, some jock kid was in better with the gym teacher. So Jeff-the SP-1200 beatmachine master we now know as Jel-took up the coronet. Thankfully, the SP found Jel shortly after Christmas one high school year. He'd been helping elderly women pump gas as part of a long-term scheme to turn fuel into money into circuitry into sound. He still had the tapes from the year he fell in love with music-1989 radio broadcasts from 105.9 WGCI, The Rap Down with Franky J and Disco Dave-and had been desperately searching for a way to feed his intense attraction to beat-making ever since his first urges were denied. With cash clenched tightly in young fist, he marched to the nearest music store and happily bought the cornerstone of his entire sound: the SP-1200. Revenge on a gym teacher never felt so sweet. And Jel never looked back.
The next few years were spent mostly in two places. When Jel wasn't locked away in his room with his new mechanical love, he was helping out behind the scenes at Northwestern University's radio station. At home he'd cut, chop, record, and tap; on campus he'd pass his tapes along to local DJs and emcees that would stop by the station. Jel's friend and radio partner Kevin Beacham introduced him to the hip-hop that came before, the secrets of the drum machine (i.e. how to cheat to 10-second sample time), and -most importantly-a certain nasaltoned Cincinnati rapper who went by the name of Doseone. The rest of Jel's story is the beginning stages and steady fruition of an entire movement in sound. In 1996, he quit art school in favor of the chills. In 1998, his first collaborations with dose saw the light of day (Hemispheres). In January of 1999, the debut themselves LP was finished (them), and by Spring of the same year, work would begin on the seminal Deep Puddle Dynamics project. And from that record-which included Jel and Doseone, Sole and Alias of Portland, Maine's Live Poets, and Slug from Atmosphere-the concept of anticon was somewhere born.
Today Jel lives in the Oakland Bay Area with the same SP-1200 he purchased as a teen. They left the Midwest together in a concerted effort to defy genre with a collective of like-minded individuals and instruments. His crunchy punched-out beats and swells of low-bit atmospherics have become anticon trademarks, highly sought after by artists around the globe. Jel was one of the first, if not the very first musician to use the a drum machine in live performance like a drum kit with little to no sequencing. Using the pads on the drum machine, Jel plays each snare, bass kick, cymbal and loop with his fingers. And his raps ain't half bad either. To date, Jel's list of collaborators includes Can's Malcolm Mooney, Stephanie Bohm from Ms. John Soda, Mike Patton, Wise Intelligent of Poor Righteous Teachers, Black Thought of the Roots, DJ Krush, Mr. Dibbs, Sage Francis, Atmosphere, and just about the entire anticon roster, naturally. Jel is currently a member of themselves (with Doseone and Dax Pierson), Subtle (a cello-drumssamplers-guitar-keyboards-winds-and-words sextet on Lex Records), and 13+God (themselves and the Notwist). His second solo full-length is entitled Soft Money.
Jel, Serengeti and Odd Nosdam are performing at SOIL's Haiti relief benefit in SF on Tuesday, April 13, at Bottom Of The Hill. Nocando hosts. Ticket info here.
Jel performs at a benefit gig in Los Angeles TONIGHT (Wednesday) at Zanzibar. Get the specifics here.
Jel has two upcoming shows in the Bay Area this week. Check 'em out:
Our friends of the good ship Terrorbird Media will be celebrating their one-year anniversary in style with an XLR8R sponsored party at 111 Minna in San Francisco, CA. The night features two rooms of madness with performances from Jel, Boom Bip, Daedelus, Panther, Copy, Daly City recording artists and more.
Come on out!
Jel's long-awaited Greenball 3rd is finally here... and here exclusively! It features new beats and instrumentals to anticon classics from Themselves, Pedestrian, Sole, and more. Pre-order now over at the webstore.
Jel's WMD/All Around 12" gets a 4-star review from Pitchforkmedia
There are no shows listed for Jel right now.
Egoeccentric - February 2008
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Ether Bomb - September 2007
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The Skinny - April 2006
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XLR8R - April 2006
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Rock Music Review - February 2006
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Synthesis - May/June 2006
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bpm - February 2006
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Pitch Weekly - March 2006
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LA Weekly - March 2006
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Illinois Entertainer - April 2006
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Dig - February 2006
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Colorado Springs Independent - February 2006
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Tastes Like Chicken - April 2006
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New Times - March 2006
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Under the Radar - April 2006
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Anthem - April 2006
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XLR8R - April 2006
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Stylus Magazine - February 2006
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DIW - May 2006
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The Stranger - April 2006
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One Week To Live - February 2006
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DJ Magazine - February 2006
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Rock Sound - March 2006
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SF Weekly - February 2006
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Prefix Magazine - February 2006
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East Bay Express - February 2006
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Unity Magazine - March 2006
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IDJ - March 2006
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Q Magazine - March 2006
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Time Out London - March 2006
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30Music.com - March 2006
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Almostcool.org - March 2006
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Dusted Magazine - March 2006
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WIRE - March 2006
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Looserecord.com - February 2006
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Hip Hop Connection - April 2006
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Clash - March 2006
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Music Week - March 2006
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One Week To Live - February 2006
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Rock Sound - April 2006
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Touch - March 2006
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CMJ.com - April 2006
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Modern Fix Magazine #36
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Alternative Press - May 2002
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